All You Need Is Love

There's nothing you can do that can't be done. DIY Love Headboard – Style Files

Nothing you can sing that can't be sung.

Pom Pom Flowers – Domesticistuff

Nothing you can say but you can learn how to play the game.

Love Match – Interior Design Houses

It's easy.

Ceramic Hearts - Remodelista

There's nothing you can make that can't be made.

Alexander Girard Heart - Curbly

No one you can save that can't be saved.

Tea Three Ways - Design Sponge

Nothing you can do but you can learn how to be you in time – It's easy.

All you need is love, all you need is love,

All you need is love, love, love is all you need.

Heirloom Design At Home

When I was a kid, I thought we were Danish. I am going to tell you about it, but before I explain that far-fetched childhood fantasy, I’d like to talk about heirloom design. I promise to circle back to being Danish.

Bringing Heirloom Design Home

I wrote an article that supported the stance that we are replacing items too often. Our culture has made it easy to create too much stuff with short life cycles. The article explored the concept of "heirloom design." I had heard Saul Griffith at a design conference outline how he was planning to give his soon-to-be-born son a Rolex and a Mont Blanc pen. When his kid was old enough, he would tell him that these would be the only watch and pen he could use for the next 100 years. Griffith's rationale was that, if something is thoughtfully designed and beautiful, it could be passed down through the generations.

I decided to bring the concept home. I explained heirloom design to my kids and asked them to take a look around the house and tell me what they would consider heirloom and hand-me-down worthy. Here's one:

"The artwork collection handed down from Grandma - Particularly, the Bjorn Wiinblad posters. They make Grandma, you, and us smile."

You can read about the other items they chose here.

What Do You Mean We Are Not Danish?

My dad was a mid-century designer. His hand printed, silkscreen wallpaper designs were hung on all of our walls. Interspersed among the flocks and metallics were portraits of happy relatives…or so I thought. These whimsical portraits were the artwork of Bjorn Wiinblad (left). I truly believed Wiinblad was one of my kin. Gazing up at an oversized Wiinblad poster was like getting a huge, smiling hug from an adoring relative - Not the pinch-your-cheek kind, but the kind of family member you admire for her sense of colorful quirkiness.

The Wiinblad posters and pottery that decorated my home also greeted visitors at my Aunt and Uncle's house. The posters were winking at me there too - we must all be related.

Eventually, I figured out that we had no Danish relatives (not a blond among us), and the inspired Wiinblad collection was actually a mutual admiration that my mom and aunt shared. They also collected Wiinblad cards, wrapping paper, china and ash trays.

My children have come to love this “designer's designer” too. The twinkling eyes of Wiinblad's portraits exude the themes of music, art, humor, and the joy of life. We have many Wiinblads in my home. The main image (above) is from a rare detailed ceramic plate that I got (won) on eBay a few years ago. When my best friend Cathy got married, we gave her the "Blue Lady."

As my little home-research discovered, heirloom designed objects don't have to be a Rolex or Mont Blanc, or even a Wiinblad to qualify as heirloom. But, they do have to be thoughtfully designed, beautiful and well taken care of.

If heirloom design goes hand and hand with slower consumption, do you think this is another one of those "green" concepts we should teach our kids? In your home, what would you consider to be heirloom designed? What would your kids choose?

Main image: Ted Fink

Cradle The Kids

“Our goal is a delightfully diverse, safe, healthy and just world, with clean air, water, soil and power – economically, equitably, ecologically and elegantly enjoyed.” ~ William McDonough Can we all agree that this is the world we want to leave to our kids? If so, how can we bring the principles of McDonough’s revolutionary book, Cradle To Cradle: Remaking The Way We Make Things to our children? Cradle To Cradle calls for the “transformation of human industry through ecologically intelligent design.” The book approaches a framework for sustainability that follows products through their lifecycle – from cradle to grave.

Since it is my prerogative to bring things that matter to Econesting, I’m going to apply the simple premise of Cradle To Cradle, in all its advocacy, to education...The education system needs to be remade.

Having worked in progressive education for many years, I believe leaving positive footprints (instead of just reducing the negative ones) is what we should be teaching our kids. This is not only for the fate of our ailing environment, but to nurture our children to make the choices needed to close the loop and create a sustainable future.

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I know, you’re thinking I’ve gone off on a tangent and landed on a lofty soapbox.  Let me step out of that cloud for a moment and confess that this is not an earth shattering observation, or a newly minted connection made by just me. Think about it, your education and mine is tunneled so deep into our core. It runs through our veins and deposits its decisions in our words and actions. These decisions (and those of our predecessors) have screwed up our cradle – our planet.

Blame game done. Can we pick up our heavy footprints and figure out what tools to give our babes to make the important decisions that will lighten the load and close the loop? You bet. Here you go…

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The Institute for Humane Education believes that quality humane education covers four elements which include:

1. providing accurate information about the challenges of our time 2. fostering the 3 C’s of curiosity, creativity, and critical thinking 3. instilling the 3 R’s of reverence, respect and responsibility 4. offering positive choices and the tools for problem-solving

Call it Humane, call it Progressive, call it Humanistic – as long as it calls to action an educational system that helps our kids learn how to think with those 3 C’s, make decisions based on those 3 R’s and discover a fifth element:

5. Teach Cradle To Cradle to insure that our kids can rock it...and live in a “delightfully diverse, safe, healthy and just world.”

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Fern photos: Brian Whitney for Garden Design Magazine.

Why ferns? Ferns embody the 3 E’s - they are endearing, enthralling and enduring. Their ancient beauty has been around for millions of years. Ferns have truly developed a sustainable lifestyle!

Armchair Creative

Do you read your horoscope? You don't need to answer that. I believe many of us do and won’t admit it. I'll confess to reading those snippets of monthly predictions, and of course at the time of the reading, my horoscope (Gemini) always seems spot on. Then I forget all about it and get on with the month.

Today I clicked onto the February horoscope from The Sister’s Project, a companion blog to A Way To Garden…

"We live in very modern times and many of the old rules no longer apply. One of those changed rules is a very important one for you to remember—“it’s OK for an artist to be an intellectual and it’s OK for an intellectual to be an artist.” In other words, do acknowledge and nurture the many wonderful dimensions of yourself and allow your creative and intellectual energies to work together."

OK, knowing that my month will now be in sync, I deleted the post and headed down my long, snowy driveway to retrieve the mail. I grabbed a packing envelope that I immediately knew held the dimensions of my creative and intellectual energies.

A Twilight Zone moment? A celestial success story? An alignment of the stars? A serendipitous coincidence?

Whatever the reason, the Spring issue of Where Women Create: Inspiring Work Spaces Of Extraordinary Women hit the newsstands (and my mailbox) today, and I am elated to be one of the profiled women that will "nourish your soul and inspire the creative process."

Now, you may ask…How did an environmental writer/blogger end up in a magazine about the work spaces of creative women?

The short answer is…A fateful phone conversation with the fabulously energetic and passionate editor, Jo Packham led to an invitation to submit my story of reinvention with pictures of my work spaces.

My thoughts about it at the time…No way this will happen. I may be creative, but I'm an "armchair creative." It's not that I sit and watch others work, my work takes place within the confines of a chair and a computer. Where Women Create profiles famous (and not so famous) artists and crafters.

An Armchair Creative's Story

Reinvention is a buzzy word that seems to coincide with life shifts. In my case, a bunch of eco "re" words like: reinvention, recreated, reworked, renovated, repurposed, reimagined, were playing out simultaneously in my life. I did not lose my job. I chose to leave it. That is what I wrote about.

Three photo shoots later with the talented Jen Kiaba, which included many images of my work spaces (dining room table, couches, one of my kid's repurposed bedrooms, comfy chairs, a window seat…), I can now share with you the humbling acknowledgement of the convergence of the creative and intellectual.

Thank you Jo, it is a true honor to be among the creative women profiled on the pages of Where Women Create.

It would make me so happy if my lovely readers picked up a copy of the magazine and read my story.

Photos: Jen Kiaba for Where Women Create

TEDWomen: Changing The World With Humor

Last year, I interviewed my friend, New Yorker cartoonist, Liza Donnelly for an article called, Drawing For Good. At the time, Liza had recently returned from attending a conference in France where she, along with several other women cartoonists from around the globe were being honored for their humorous contribution as a catalyst for change. I asked her if expressing her personal convictions about women, art, politics, or the environment, limits or expands her profession as a cartoonist, Liza explained: "I am a cartoonist first, and while I bring my perspective as a woman to many of the cartoons I draw (whether they be about women, feminism, politics, whatever), it is not the first thing I necessarily think about. I draw as a person, and feel compelled sometimes to draw about issues that affect women around the world. Acknowledging that part of me only expands what I do. And as for politics, I love to make light of things in the news, and the best cartoon is when I can make people laugh and make a serious (sometimes disguised) point."

Women cartoonists are few and far between in their representation in publications such as the New Yorker, and no one has championed women cartoonists like Liza has. In fact, she's written a book called Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons, and more recently she released, When Do They Serve The Wine.

In December, Liza announced to her friends that she was doing a TEDTalk. Having been an environmental writer for some time, I knew that being invited to talk at a TED conference was a big deal, and certainly mega-news in this neck of the woods. Plus, Liza wasn't just doing any 'ol TEDTalk, she was speaking at the first ever TEDWomen. Here is her recount of how she prepared for her TEDTalk.

What inspires me most about Liza is not just that she had the guts in all her shyness to speak at such a high profile event (and her knees look steady), but how she steps out from behind her drawing table to make this world a funnier place...and a better one too. I'm sure you will agree after viewing the video, that Liza infuses her creative talent and social commentary about women with just the right amount of humor.